NEWS: Stephen Redhead Featured in ‘Giants’ TV Series

Recently I met the very talented brother James Bland. He’s the creator, writer, and star of a TV series called “Giants“. It’s a coming-of-age story about three individuals living in Los Angeles and navigating through internal struggles and financial distress. […]

NEW SHOW: Music & Melodies Showcase (3-26-18)

Presented by the podcast A Seat @ The Table, I’ll be a featured artist at the Music & Melodies Showcase held at HalfSmoke in Washington DC on Monday, March 26, 2018 at 7pm. A post shared by Stephen Redhead (@redheadpg) […]

NEW SHOW: Redhead to Perform at Velvet Lounge – Feb 18, 2018

Performing at one of my favorite spots in Washington DC during Black Panther Weekend? Certainly. Watusi, Kev Brown, and others will be on the bill as well. Come to Velvet Lounge on 915 U St. NW in Washington DC and […]

PHOTOS: Stephen Redhead Attends the 2018 Grammy Awards

After hustling the release of the Exxxactly project over the past year, I’ve finally managed to get an invitation to the Grammy Awards. It was super surreal to watch the show from the seats, meeting high profile figures in the music […]

RECAP: Stephen Redhead Opens for Chico Bean of Wild N Out (12/7/17) & Wednesday Verses (12/20/17)

On December 7th, I’ve had the pleasure of performing at Ivy City Smokehouse for an event called December Revival. I’ve brought in the homie DJ Rok and they had an in-house band. It was a packed, SOLD OUT show and […]



This is the first episode of an online radio show that my good friend @FlyCarla and myself are hosting. We speak about current events, pop culture, entertainment, relationships, and our irreverent sense of humor. If you like what you hear, feel free to subscribe on the Soundcloud page and let us know what you think!

NEW MUSIC: Redhead Appears on Halloween Mixtape “Monsters Ball”

A couple of months ago, my good friend King Kan of A-Squad Records contacted me about donating a few music tracks for a mixtape project that he wanted to do for his company to be released on Halloween. His concept is that every artist wears a “mask” when they perform their craft to separate reality from artistic bliss. I thought it was interesting, so I sent him the track The Crucible.

This is a 45-minute hiphop compilation project mixed by DJ LaZ-EyE that follows the theme and features several artists from the DC area. Download this mixtape for free at for more info, or come directly to Datpiff.



NEW MUSIC: Redhead – “Furlough Bars”

Dropped a new song during the sequester to prepare for the upcoming project Exxxactly. Enjoy and spread to your friends and family. It’s a creative writing piece, so to speak.

NEW REMIX: @LordeMusic – “Royals” (Feat. Redhead)

This is a pretty cool remix that I came up with after hearing the song Royals by the talented singer Lorde from New Zealand. A friend of mine suggested that I remix this song in my perspective and decided to drop this for fun. Hope you enjoy! More new music is on the way in a recording session that is in place as I type this out! Download this song for free and share it with your friends and family.


I just wanted to take the time to say thank you all that came out and celebrated my birthday with me. The show had pretty major fails in it that I’m not okay with, but the fact that you guys came over for my brand of Hiphop was a great present in itself (but the check was great, of course). I love you all. New music and videos on the way from myself and the FarEXP on the way.


Music: Redhead – “The Night”

This was a track that I made from my first mixtape “The Honesty Box”. It’s one of my favorite songs that I’ve done. The sample is from a song that I used to listen to as a kid, and I wrote about my experiences in the music industry when I first got into it. The names have been changed/omitted to protect the innocent, and is all made with creative freedom. Check it out and let me know what you think.


Had a show last night at Velvet Lounge in DC opening for Big Lo. Here’s a little video that I taped during sound check where DJ Fumo gave the wheels of steel some attention. The show itself was a lot of fun. I always appreciate folks with talent and dedication to their respective crafts. This is 8 years in the making for him. Much love to him.

VLog: Redhead Previews New Track

Just something I did for fun. New project on the way!

Blog: How @DJHeatDC Inspired The “Single Push” Effect

As any other time that I would have available to me, I would look into my Twitter timeline and check out the random, hilarious comments that people leave. However, on particular occasions, I would read someone writing an article that is intriguing of my interest. My good friend DJ Heat wrote an interesting article on her website about one of the biggest mistakes that DMV artists make. The content of this article was so inspiring that I wanted to drop additional insight and possibly open more dialogue in the artist community. This won’t apply just to the DC Metro area, but worldwide.

For most people who are familiar with this website, I’m an artist that’s done several strides in the entertainment industry from being an artist as well as in a managerial context. In late 2011, after two years of working on it, I released a mixtape project called The Schemata. I had a vision for this project: the concept, the videos, the grassroots approach, and the song choices. DJ Heat also appeared on this mixtape. After I released the tape, I asked two weeks later on Twitter what were their favorite tracks from it. One of the songs that was featured on this project was “Talk White”, and it received a lot of responses from fans and new fans alike. This song was an old school Hiphop track that flipped metaphors of racial stereotypes, drug use, and musical prowess all in one in comedic satire. So in response to that, I decided that Talk White would be its first single.

I traveled to Harlem to reconnect with Malik-16 to shoot a video for its remix, which would be released on his project. I shot, directed, and edited this video myself with limited experience but a lot of drive. Back home, I performed this song for the first time in March of 2012 in Velvet Lounge for a crowd of nearly all white people. The response of the record was laughter, shock, and chanting of the chorus “I speak proper”. I realized that night that this song was something special and went to work. I performed this song at EVERY show that I’ve done, including this day. After videotaping the footage of these performances, as well as revamping the performance version of the song to keep the crowd intrigued, I pitched the footage to a cohort of mine in the industry, and got signed to SFE Entertainment with a distribution deal through Fontana. The song was then sent to every online retail outlet, and the video was placed on VEVO right next to the latest Katy Perry single in the course of 6 months.

But that didn’t stop there. It was much more of an obstacle to deal with.

I’ve sent the song through different radio services, locally as well as nationally. Radio stations in Tampa Bay, FL and San Francisco picked up the song into its system, but locally did not pick it up quite yet. Several program directors around the country stated that the song was too risky to play due to its content, as well as the fact that it was decidedly not a party record. It was my vision to cause the same shocked feeling to the world that I gave to that crowd in March 2012. However, the younger market didn’t seem to grab to it that fast at the time. It was college adults and their parents that reacted.

Despite this, Malik-16 and myself printed fliers promoting the single to all of our friends, family, and patrons at our respective shows. I literally walked by myself on Howard University’s campus and talked with students to introduce myself and this song/video. It was a package. I also printed t-shirts and stickers of my logo to wear and place around town. The talk amongst people about this song brought me to interview on WKYS 93.9. The shows went through DC, Virginia, Maryland, and New York and each audience took notice. Half of this website’s domain was paid for by the single’s sales on iTunes, but had little attention on the radio or social media. Maybe it wasn’t a hit? Maybe it didn’t impact the general consensus of Hiphop consumers? Maybe it wasn’t the right BPM speed for club DJs to play? Maybe it was too risky/not party enough as previously said? Possibly to all of these reasons. But one thing is for sure; when there wasn’t a market for “Talk White”, we were determined to create one.

The point of this blog is simple: NEVER give up on a single/track/project that you believe in. There is a market for everything. You made that song because you thought it was dope. Act like it and push it as much as you can. If the public doesn’t respond right away, don’t worry about it. This is Hiphop; a genre that praises one artist/song as long as other people say it’s good, then they move on to the next. It is up to you to create that momentum, and keep it going for the next single. STAY CONSISTENT WITH MATERIAL ONLINE. Always have a new video, a song, or a blog, but never forget what your single is. Dope music and passion does not go unnoticed.

Oh yeah, say hi on Twitter and shit. Ha! @redheadpg

VIDEO RECAP: Redhead & The FarEXP @ Brooklyn Wildlife Festival

Here’s a dope video recap of the Brooklyn Wildlife Festival that took place at The Paper Box in Bushwick this past weekend. We had a lot of fun over there. Shouts to Chris Carr and the whole staff.